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	Comments on: Sanjuro	</title>
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	<description>Unearthing the Practical Essence of Ancient Wisdom</description>
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		<title>
		By: Dave		</title>
		<link>https://wayofages.wayofages.org/sanjuro/comment-page-1/#comment-15</link>

		<dc:creator><![CDATA[Dave]]></dc:creator>
		<pubDate>Thu, 21 Nov 2019 21:17:55 +0000</pubDate>
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					<description><![CDATA[It took me a while to discover Takashi Miike&#039;s &lt;a href=&quot;https://en.wikipedia.org/wiki/13_Assassins_(2010_film)&quot; rel=&quot;nofollow&quot;&gt;13 Assassins (2010)&lt;/a&gt;, which establishes a clear trend in the focus of Japanese-made samurai movies toward social justice.  These 13 hand-picked assassins mete it out in droves as they descend upon a human monster (masterfully played by &lt;a href=&quot;https://en.wikipedia.org/wiki/Goro_Inagaki&quot; rel=&quot;nofollow&quot;&gt;Gorô Inagaki&lt;/a&gt;) and his growing entourage to interdict his political career and save Japan from descending back into feudalism on the brink of the Meiji Restoration.]]></description>
			<content:encoded><![CDATA[<p>It took me a while to discover Takashi Miike&#8217;s <a href="https://en.wikipedia.org/wiki/13_Assassins_(2010_film)" rel="nofollow">13 Assassins (2010)</a>, which establishes a clear trend in the focus of Japanese-made samurai movies toward social justice.  These 13 hand-picked assassins mete it out in droves as they descend upon a human monster (masterfully played by <a href="https://en.wikipedia.org/wiki/Goro_Inagaki" rel="nofollow">Gorô Inagaki</a>) and his growing entourage to interdict his political career and save Japan from descending back into feudalism on the brink of the Meiji Restoration.</p>
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		<title>
		By: Dave		</title>
		<link>https://wayofages.wayofages.org/sanjuro/comment-page-1/#comment-9</link>

		<dc:creator><![CDATA[Dave]]></dc:creator>
		<pubDate>Mon, 09 May 2011 01:23:43 +0000</pubDate>
		<guid isPermaLink="false">http://02cafd3.netsolhost.com/blogs/WayOfAges/?p=14#comment-9</guid>

					<description><![CDATA[&lt;strong&gt;&lt;em&gt;Sanjuro&lt;/em&gt; in the Context of Corporate Culture&lt;/strong&gt;
&lt;em&gt;Sanjuro&lt;/em&gt; is not the only samurai film whose story bears on modern politics or corporate culture – indeed not even the only Kurosawa samurai film.  &lt;em&gt;Seven Samurai&lt;/em&gt; illustrates the highly context-dependent treatment of competent players and &lt;a href=&quot;https://en.wikipedia.org/wiki/Ch%C5%ABshingura:_Hana_no_Maki,_Yuki_no_Maki&quot; rel=&quot;nofollow&quot;&gt;Hiroshi Inagaki&#039;s &lt;em&gt;Chūshingura&lt;/em&gt;&lt;/a&gt; chronicles the so-called &lt;a href=&quot;https://en.wikipedia.org/wiki/Forty-seven_r%C5%8Dnin&quot; rel=&quot;nofollow&quot;&gt;&lt;em&gt;Akō incident&lt;/em&gt;&lt;/a&gt; of 1701-1703 in which a clan leader&#039;s refusal to submit to corruption and his subsequent unjust conviction leads his most loyal vassals to take a politically spectacular and historically iconic revenge in strict accordance with samurai tradition.]]></description>
			<content:encoded><![CDATA[<p><strong><em>Sanjuro</em> in the Context of Corporate Culture</strong><br />
<em>Sanjuro</em> is not the only samurai film whose story bears on modern politics or corporate culture – indeed not even the only Kurosawa samurai film.  <em>Seven Samurai</em> illustrates the highly context-dependent treatment of competent players and <a href="https://en.wikipedia.org/wiki/Ch%C5%ABshingura:_Hana_no_Maki,_Yuki_no_Maki" rel="nofollow">Hiroshi Inagaki&#8217;s <em>Chūshingura</em></a> chronicles the so-called <a href="https://en.wikipedia.org/wiki/Forty-seven_r%C5%8Dnin" rel="nofollow"><em>Akō incident</em></a> of 1701-1703 in which a clan leader&#8217;s refusal to submit to corruption and his subsequent unjust conviction leads his most loyal vassals to take a politically spectacular and historically iconic revenge in strict accordance with samurai tradition.</p>
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